One last beneficial consequence of adding so much filler was that it helped disguise how mind-numbingly formulaic the plot was in the manga. Moreover, one-shot villains became season-long threats with ample space to develop a personality and an emotional relationship with our heroines. That earlier show had cleverly used its filler episodes to explore the entire supporting cast, so that when the season finale came and Sailor Moon had to save everyone, we understood why she cared about them. Sailor Moon Crystal was a narrative misfire because it tried to overcorrect the creative liberties taken in the 90s anime. There is literally no other canonical material to use.
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So when a new animated series was announced for release in 2014, called Sailor Moon Crystal, it came as no surprise that it would, once again, tell the same story as the manga and the 90s series. On stage, Pretty Guardian Sailor Moon has dozens of live theater musicals with new plots, but on screen its productions have been limited to following the events established in the original comic books. Also, there is a separate live-action adaptation of the first arc that follows its plot more loosely.
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Three animated films were made at that time, set in the same TV continuity, but unconnected to its events. Its 90s animated adaptation, which set the undisputed and unsurpassed gold standard for the magical girl genre, follows the entire manga storyline, with few significant deviations (and a staggering amount of filler).
Whereas Western canonical characters like Wonder Woman or Spider-Man have an endless catalog with decades' worth of printed volumes and multiple reboots and continuities that scriptwriters can use to create virtually infinite movies, Pretty Guardian Sailor Moon only has five comic book arcs in one single continuity. But one thing we do wish is that there were more story to tell. We don't start demanding a "grounded" or "realistic" Sailor Moon as we grow older we stay with the sparkling tiaras and heart-shaped gemstones, because that's exactly what we love about it. Grown-up fans of Pretty Guardian Sailor Moon don't feel embarrassed by its silliness and childliness the way Western superhero fans are about enjoying content targeted at kids. She is unapologetically cheerful and goofy, with a shining sincerity that would burn to ashes any drop of irony a Western producer might want to add. For good or ill, superheroes are everywhere, but it would be impossible to give Sailor Moon the grim and gritty makeover every other superhero has received this side of the ocean. This is an interesting time to be watching a Sailor Moon story. Western superheroes draw their idea of evil from the Biblical model of two opposed factions out of which only one must remain, but Pretty Guardian Sailor Moon follows a Shintoist outlook where evil is a symptom of a world thrown into disorder that, instead of more violence, needs understanding and restoration. In the world of Pretty Guardian Sailor Moon, evil is not to be vanquished or crushed it is to be healed and forgiven. Sure, she may obliterate each low-level Monster of the Week with a colorful magical blast without a thought, but when it comes to her major enemies, she doesn't aim to destroy them.
Instead of punching muggers, like Batman does, or punching Nazis, like Captain America does, or punching meteors, like Superman does, or punching gods, like Thor does, Sailor Moon fights against nightmares, twisted memories, forgotten promises, curses born of jealousy, and abstract representations of cosmic chaos. Rather, she wages philosophical war over the worth of human life, with her victories fueled only by the strength of her empathy.
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She is completely inept in martial arts, has no idea how to use weapons, and doesn't even like to fight. Although she draws from narrative elements shared in common with Power Rangers, Saint Seiya and the original She-Ra, she handles her battles in a decidedly different manner. To the Western viewer, Sailor Moon must feel like a very strange breed of superhero.
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